Interview with Barghest of Spearhead!!!

WULF: How has the reception for this album been so far on your end?

BARGHEST: The reception has been very good so far.

WULF: I would describe Spearhead's sound as relatively straightforward metal, but with allegorical, abstract lyrics and concepts. What were you aiming to acheive with this album, and was this album aimed at a specific audience in particular? Do you feel as if you've accomplished these goals?

BARGHEST: I don’t think there’s a great deal of allegory surrounding the lyrics, and the only abstract conceptions are abstract because they are metaphysical. We certainly planned on making a straightforward album, by which I mean plain-speaking, hostile and belligerent blackened death metal; there’s nothing subtle or equivocal about this album I feel. There is variation in the music - time changes, break-downs, etc. - but the focus was definitely on making a relentless and hateful-sounding album. I think we have achieved this with “Theomachia”. We do not have any specific “audience” in mind when crafting our music – we are not out to please anyone whatsoever.

WULF: While I understand that on "Theomachia" some of the lyrics involve the common misconceptions held by most people regarding ideas like "progress" and "pacifism", I get a strong sense of anger coming from your music as well. Would you agree? Or are you simply attempting to convey these ideas through aggressive music? I guess what I'm asking is how much of a role does actual anger play in your music?

BARGHEST: “Theomachia” is a genuine work of considered and focused hatred, so there is of course an element of anger pervading the music. The lyrics aren’t generally anger- or angst-oriented or anything like that though, yet what is said is done with a degree of force. I think if we were a bunch of hippies or something, with no anger in our blood, we would not be able to create this kind of music with any conviction. And I think you will find Spearhead has more conviction than a lot of other current bands in this genre.

WULF: Obviously, it's important for listeners to have their own interpretations of lyrics and lyrical themes when listening to music, but would you care to discuss the meaning behind the word "Theomachia", and perhaps in general some of the themes and ideas you explore on this album?

BARGHEST: I disagree that listeners ought to have their own interpretation of the lyrical subjects. This seems to be only something for bands with poorly considered lyrics. You end up with a superfluity of meaningless opinions this way – isn’t there enough of a problem with a superfluity of opinions? “Theomachia” (or “war of the gods”) refers to the common mythic motif of a divine conflict that precedes the cosmic or aeonic dissolution. This motif is probably more commonly known as the Norse myth of Ragnarok, but parallel conceptions are found in the Indic epic the Mahabharata, and in the Iranian/Zoroastrian mythos for example, as well as elsewhere. The cosmic dissolution and the declining cycle of ages is also something prevalent in a number of ancient world mythologies and cosmologies. “Theomachia” is all about the inevitable march of decay and degeneration, and the self-mastery that the last man must attain if he wishes not to rot among the ruins of the last age, before the cycle of time continues. But I’m not expounding anything new here – this is old wisdom.

WULF: Your interviews are quite fascinating. Obviously, you are often asked about your musical influences, but I'm curious as to if you are influenced by any specific writers or literature? You're quite well-informed when it comes to history, weapons, warfare, etc. Also, I have to ask if you are familiar with the writings of Robert Greene, author of books like 36 Strategies of War and 48 Laws of Power? Just curious.

BARGHEST: There is a certain amount of literary influences that have found their way into “Theomachia”, explicitly or otherwise. To name just a few direct influences: Spengler’s “The Decline of the West”, Evola “Revolt Against the Modern World”, Machiavelli “The Prince”; and mytho-philosophical works such as the Bhagavad Gita, the Eddas, Hesiod’s “Works and Days”, etc.

I’m not familiar with Robert Greene, but I’ll check him out.

WULF: The artwork for "Theomachia" is great. Would you care to discuss the meaning behind this artwork a bit? Who is the artist?

BARGHEST: The artwork was done by Manuel Tinnemans. I don’t want to go into this here in too much detail, but if you study the front cover you will see some relevant motifs, such as the Kali Yantra, some text excerpted from the Bhagavad Gita (11:32), etc. But perhaps you will be able to interpret yourself the meaning of the distant horizon that is flanked on each side by the trappings of war.

WULF: On a personal level, I must ask...are you or anyone else in the band a fan of wargaming (tabletop, video games, etc.)?

BARGHEST: No, I don’t think so. I used to play the Warhammer games a bit when I was a kid, but I don’t have the time nowadays. If you want to play a classic strategic, war-based board game, and you have a few hours to spare, “Risk” is good.

WULF: What are some future plans for the band? Is touring over here in North America something you're interested in? While I don't feel like a DVD or music video is especially your style, but I could be wrong...do you have any intentions of doing anything visually like this down the road? Also, your previous interviews are always fascinating and you guys definitely have some interesting philosophies and worldviews...have you ever thought about putting out something non-musical, like essays or a manifesto?

BARGHEST: We are currently looking into tour options. Another tour across the US would be good of course, but perhaps not in the immediate future; Europe needs re-conquering first! I can’t see anything like a music video working for Spearhead at the moment. Our standards are pretty high, and we’d probably need an exceptionally high budget to satisfy the requirements a good and appropriate video would entail. We’ll leave this to the MTV bands for now..!

I don’t think I have any real desire to put out an essay or manifesto, because I’m not interested in changing how people think. I am quite happy to let people rot in ignorance. Besides, there are plenty of good books out there for those who disagree with pacifism, modernist values in general, humanitarianism, etc. I wouldn’t be adding anything new.

WULF: Thank you again for taking the time to do this interview! Any final words or comments are yours!

BARGHEST: You’re welcome. Thank you for your support. Svpero Omnia!

------

www.spearhead.ws
www.myspace.com/spearheadofficial

Answered by Barghest 1st Jul 2011.

Interview with MkM of Aosoth!!

E-mail interview conducted in May, 2011.
http://www.myspace.com/aosoth616

WULF: While Aosoth is unmistakably one of the most original and infamous bands leading the charge in this recent explosion of excellent French black metal (including other artists such as Deathspell Omega, Blut aus Nord, Peste Noire, etc.), it is stylistically quite its own beast. “III” is also one of the best albums I’ve heard this year. What were you personally aiming to accomplish with this album?

MkM: As a start, see, those bands you did mention, all are very different in their approach, am just very familiar with DSO myself; yet it seems that at the same time or so, we ended up having releases which would have something similar, more than just the geographic origin of the band.
I doubt that there is really an explosion of french black metal (or nothing compared to how the black legions got worshipped) but there is nowadays a scene. And even a scene at a turning point, wondering how things will go.
Just like we do feel like a void after each release, when “ashes of angels” was released, our previous effort... all the events that occured after (the tour with hell militia, personal issues...) all those series of event did create the climax that made the composition of III happen. Nothing is “marketed”, it does depict a moment of time, one sinister moment of time which is still lasting up to now.
As vocalist for this band, I wanted it to be really a performance & exposure. Just like an Art happening.
Right now, I couldnt even say how the future would be for us, if we would do anything. Just like there is no aim for now, there were no particular aim then, just having to let it out, create the most genuine piece of work at this moment of time, exposing ourselves.


WULF: A common lyrical theme of yours is, according to a recent interview with Metal Maniacs, “praising Satan, excess, and (your) own deviances”. If that is the case, then where does all this hatred and rage that is reflected in your music come from?

MkM: Being non reliable, unstable, lunatic, “negative” (while I’d say “realist”)... Any individual who had to work with me at one point or another do know that I’m not the easiest one to work along with. Lots of tension in the air and that eternal destructive desire. I need to harm what is near, I just walk this path and all makes sense that way for me. Having now more distance allows me not to get swallowed in my own stream, there is no one by my side. I just expose what is inside and turn it into an audio experience, be it with aosoth or antaeus or any other act I was involved in as “writer”/performer.
When reading this question, I do realise I never asked this very important question to the other band members in Aosoth, I shall do so soon, just to get an idea...

WULF: “III” is quite a nightmarish listen. The atmosphere on the album for me clearly evokes death, urban decay, abandoned cathedrals, and nightmarish hallucinations. What images or concepts come to mind for you personally when you create or listen to the music of Aosoth?

MkM: The breathing of the other, watching inside the eye of the victim/partner. Stealing moment, making others last long, feeling one with blood and pulse.
That would be how I would feel myself. But that vision you described seems closer to what the other band members are experiencing through III.
Those are two distincts approach : the music on one side, lyrics on the others. Both combined : that gives such result. With another vocalist and different structures and more “song structure” with chorus and so on, that would have been a very different album. I’d really like that to happen somehow, thus I’d keep “III’ just as my own. Really have a special relation to this release, somehow like unique and not willing to let it go.

WULF: In almost every Aosoth interview I’ve read you’re asked about your involvement with The Order of the Nine Angels. While you’ve stated that you’re not an official member, does the Order have a strong following among other French black metal bands Aosoth is associated with (such as Balrog, Watain, VI, Merrimack, etc.)? I’m not asking for any specific names or bands, of course, but I’m curious as to the prevalence or popularity of this organization and the role it plays, if any, in this specific regional scene.

MkM: To this question, I’ll have to say that I do not have a clue at all !!! Watain being swedish btw, and they are more affiliated to the Temple of the black light if I’m not mistaken.
Might come as a surprise to you, but I am really barely in touch with any individuals from the metal scene, or just anyone in general. I somehow did distance myself for a few years. About the ONA, I do not think that many were into this particular order. But then again, I could be mistaken...
Also you do refer to a “regional” scene : well that seems not too accurate in our case since there is no unity in this scene, which is not a bad thing : suits me perfectly that way.

WULF: I’ve read that the lyrics will be enclosed with the physical album. Unfortunately for me, I only have a digital promo copy of the album. Would you like to explain a little about the lyrics and concepts of “III”?

MkM: Indeed they are, both on lp & cd. They were written in a similar state as the lyrics I once did write for “blood libels”, the last antaeus album in date. Thus very personal and more of an “exposure”... the album is not a gathering of songs as far as I am concerned. There is no “sing along” parts or whatever, more of a performance recorded in one take (vocals wise) and being based on a monologue or “silent” dialog in between two characters. Mostly people are expecting lyrics with themas involving magic, satanism... there this is not as “obvious” and not really fitting the genre. Though it still praises & shows devotion towards the worst/best in us.

WULF: Is there any chance that you will supplement this auditory violence with a visual experience, such as a music video or DVD?

MkM: Highly doubt it. First of all, most of our live conditions are so low that capturing such events wouldnt be worth being witnessed. Also the cost for such release is just beyond anything we could ever afford. Took me years to cover up the cost from the antaeus video, which was at first not even meant to be even used. We had ideas about particular images we would have wanted to add to the audio related to III. Just do not think any of this will ever take place. Even having “band promo picture” is quite impossible, so a video !!

WULF: Now that Antaeus is more or less on hold indefinitely, do you have any other bands or projects you are involved in besides Aosoth?

MkM: No time for anything else at all. Each album is a sacrifice, takes a lot of time and implies involving yourself fully in it. Antaeus will just perform two gigs in the coming months, in June for the deathkult openair festival in Germany and in december for the Rites of Darkness part 3. About bst (guitar player) he has the order of appolyon (signed on listenable) as well as genital grinder (death metal), he’s about to have a split lp. InrVI is mostly busy with VI and should have a full lenght recorded this coming year on Agonia records. Aosoth should record two tracks maybe before the end of 2011.... time shall tell. For each plan we make, many problems rise and turn all into dust.

WULF: That is all the questions I have for you. Thank you again for taking the time to answer these questions. Good luck to you in the future! Anything else you would like to add to the interview at this time?

MkM: Hails to you for the support & having us in your zine.
AMSG
MkM

Interview with Herr Morbid of Forgotten Tomb!!

E-mail interview conducted in May 2011.
http://www.myspace.com/darknessinstereo

WULF: Congratulations on completing your first full-length album in roughly four years! I believe this to be quite a strong album. How has the reception been for “Under Saturn Retrograde” on your end?

HM: Thanx. You know, there's always someone complaining for something on every new album we release... We can't make everyone happy. We need to be happy ourselves with what we have accomplished with a new album, in the first place. If the others like it, that's great, otherwise it means they are not ready to understand our evolution. We are getting used to be misunderstood and ahead of trends. Most of people start to like our albums 3 years after their actual release-date. It happened the same with the previous album, "Negative Megalomania"... But of course there is also a lot of people who like our newer releases and we're getting a good feedback from both press and fans for the new album. It's still early though to take conclusions, the album has just been released in the USA so we're waiting for responses from there too.

WULF: Normally I prefer to try and figure out reasons for song titles and album titles on my own, but unfortunately my digital promo copy didn’t come with lyrics and I can’t find lyrics anywhere on the internet. Would you care to explain a bit about the album’s mysterious title?

HM: There's some meaning behind the album title-track and lyrics. As you might know, according to astrology the influence of Saturn retrograde has basically a very negative effect on life and personal achievements, and it's partly responsible for failures, pessimism and other negative sides of everyday' life. It is especially negative when it is in your natal chart. I'm also a Capricorn and Saturn is my ruling planet. Basically I used "Saturn retrograde" as a metaphor. It is meant as something like "being born under a bad star". I don't really believe in astrology but I thought the meaning was fitting to represent the sense of oppression and constant bad luck that followed me over my lifetime. The rest of the songs deal with different topics but each one has negativity and hostility as the main themes.

WULF: The album cover is clearly somewhat dark and disturbing, but also quite beautiful. Who is the artist? Would you care to explain your thoughts on the album cover?

HM: The author of the cover is the artist Dani2Hell. I was looking for a suitable cover for the new record, and watching the graphic works she made at that time I was struck by one in particular, so I asked if I could use it and she agreed. I was lucky, because that work suits the emotions portrayed by the album music very well. I then examined several versions of the same design with Dani2Hell and in the end we eventually chose the version that everyone can see now (the one without logo and with darker colors). Also, Dani2Hell had already made the sketches included in the booklet of our "Vol 5: 1999/2009" album, with excellent results, therefore I could say that so far the cooperation has been very fruitful. From my point of view, the figure represented on the front cover is a sort of angel of evil and iniquity, it's the rational embodiment of an irrational wickedness, which is deeply rooted within the human soul. It's pure evilness, that's why that figure on the cover has no visible face... Evil has no face, it's within each of us.

WULF: According to recent interviews you’ve expressed your songwriting being increasingly influenced over the past few years by bands such as Alice in Chains, Down, Acid Bath, etc. Although your cover of The Stooges’ “I Wanna Be Your Dog” is quite well-done, I was surprised that you didn’t cover a band that was influential to you that was more “metallic” in style. Would you like to explain why you chose this particular song to cover? Also, since your cover was so well-executed, is there a chance that Forgotten Tomb will continue to cover more songs on future albums?

HM: We actually started this "bizarre covers" tradition on the "Vol 5: 1999/2009" double-album, with a couple of songs from Nirvana and Black Flag, as well as a Black Sabbath intro. They turned out great, so we decided to include another one on this new album. In the first place, I'm a Iggy/Stooges fan, and I like the nihilistic, self-destructive power oozing from that song. Originally I wanted to do something out of "Raw Power", since it's my favourite Iggy/Stooges album and one of my favourite albums of all time, though most of the material was not suitable with the rest of our songs. Also, we have chosen "I Wanna Be Your Dog" because it's more well-known and also because all the cover-versions we've heard from other bands really sucked (including the Slayer' one, yes). When Slayer did that cover they changed the lyrics to some macho-bullshit and I hated it. It was retarded. Iggy Pop hated it too. I think Iggy would like our version instead. I think we gave it an original Punk feeling, it sounds really nihilistic and violent. I even prefer it over the original! This would have been nearly impossible to do with the "Raw Power" songs, 'cause that album is fucking perfect as it is. Btw, we always choose to cover songs that are not strictly Metal 'cause we think it can be more interesting, both for us and for the audience. I mean, would you prefer another Darkthrone or Mayhem cover as all Black Metal bands do? I don't think so. Also, we listen to a lot of "non-Metal" stuff so we find more intriguing to cover songs like those and make 'em sound like one of our own songs.

WULF: Can we look forward to a Forgotten Tomb music video for a song off of “Under Saturn Retrograde”? Personally, I would choose “Reject Existence” because I feel that’s arguably the most catchy song (it’s seriously been stuck in my head for days now!) even though it has a quite negative message. Also, are there future plans for a DVD or anything like that?

HM: Actually there were plans to shoot the video for an edited version of that song. We'll see what happens. Time flies and there are lots of things to be taken care of, so we'll see if we can make it. A live DVD would be really cool too, but again, we'll see what happens before the end of this year. Maybe we'll record another full-lenght album before shooting a proper live DVD. It depends on the success of our new album.

WULF: I’ve noticed that your attitude and style in interviews over the years has changed considerably. I mean no disrespect, but it seems like you’ve become much more “mature”…what I mean by this is that eight years ago, you were strongly advocating suicide and embracing despair and negativity, whereas nowadays it seems like you’ve become somewhat more “laid-back” but still fixated on negativity. I also feel like this is directly reflected in your songwriting. While I haven’t heard earlier Forgotten Tomb albums, according to interviews and reviews it seems like your earlier material was more black metal-oriented…with “Under Saturn Retrograde”, while there is still a black metal influence, it is much more limited, and instead fits more comfortably in its own “depressive rock” style. Do you agree with this? Do you feel like Forgotten Tomb’s sound has matured with you these past few years?

HM: If you read all my lyrics and interviews since the beginning of the band you'll notice they changed and evolved. But of course I don't like a lot of things in life and society, and I'm basically a very negative and pessimistic person. The "leit-motiv" of my lyrics is more or less always the same. Obviously over the years people grow up and evolve, though I always believed in what I said over the years and I don't regret it. The glorification of negativity, death, hatred, pessimism, cynicism, homicide, suicide, abuse and in general of everything that is helpful to destroy human happiness and life is a recurring theme of our albums and imagery, now more than ever. Personal experiences had a role on some of my lyrics in the past but over the years I developed a more mature songwriting. I realized that I'm more useful as a tool to spread negative emotions. Of course there are always my personal thoughts and my vision of life portrayed in my lyrics, but the way of expressing them has changed. In the past some fans just used some of my lyrics as some sort of relief from their personal problems, but I never wanted this to happen. I've been totally misunderstood. I don't want to help people, my lyrics are not propedeuthic. I want to destroy people, I want them to increase their suffering and do harm to themselves and to others. That's why my lyrics have changed over the years. I don't wanna write for myself exclusively, I want the message to be loud and clear to all my listeners. You know, when you say these things and you're 20 years old people use to think you're a teenager trying to act evil, but when you're 30 years old and you still say the same things most probably it means you really mean it. I'll turn 31 this year so go figure... The musical evolution has nothing to do with our concept and attitude, we always listened to other kind of music even when we were more Black Metal-oriented.

WULF: By listening to this latest album, there’s no doubt in my mind that if you were to decide to tour North America you would be quite successful, as “Under Saturn Retrograde” seems like it has a much more accessible sound and wider appeal than many contemporary extreme metal bands. Are there any plans to come over here and wreak havoc?

HM: It's very difficult for bands like ours to play in the USA. We've been all around Europe several times and I'm pretty sure we'll play again quite a lot of gigs there this year, but I don't know about the rest of the world. If there are promoters interested in having us playing in the USA, we'll come of course. Our aim is to play live as much as possible, so I certainly hope to visit some countries where we haven't been before.

WULF: Thank you so much for taking the time to do this interview! Any final words you would like to say?

HM: We're going to release very soon a split 7" with italian band Whiskey Ritual. Both bands will cover 3 songs each by GG Allin. It's gonna be a cool release. Then we'll focus on live-shows/tours and in the meantime I'll start writing some new material for the next album. To all our readers: buy our new album and get fucked up! Follow us through our usual channels: official website, MySpace, Facebook and Reverbnation. Stay Negative!