Showing posts with label Butthole. Show all posts
Showing posts with label Butthole. Show all posts

Tuesday, March 11, 2014

Wulf's Official Response to Decibel Magazine's Top 100 Black Metal Albums (part 5)

60.   "Over Bjoergvin Graater Himmerik" - Taake


I've actually never listened to Taake that much, which is surprising because usually I'm all over bands that are considered somewhat eccentric or have an heir of controversy surrounding them.   I haven't heard this particular album, but I remember listening to the one before it (1999's "Nattestid Ser Porten Vid") and enjoying it, especially the brilliant first track "Vid I", one of my favorite black metal songs of all time!!  Anyway, Hoest seems to have calmed down over the years as far as shock value goes, but that doesn't mean I still shouldn't check out more of his stuff!!






59.   "Enthrone Darkness Triumphant" - Dimmu Borgir


YEAH!!!  Haters gonna hate (it's been said a million times, but Jesus Christ that fucking top hat), but for me this is one of my favorite black metal albums of all time.  Dimmu Borgir, like so many of us who spent most of our teenage years in the early 2000s, was my gateway band into extreme metal.  When I was about 15 I was really into bands like Tool, Incubus, Slipknot, and The Red Hot Chili Peppers...at the time my friend Brad (see Accursed Wound) was really into Cannibal Corpse, and I remember thinking they were the most extreme shit I had ever heard in my life and couldn't understand why anyone would listen to that sort of thing.  Anyway, my metal journey began when I stumbled across an interview with Dimmu Borgir in Revolver...they were promoting their hugely successful "Puritanical Euphoric Misanthropia" album at the time, and I remember being intrigued by their image and "black metal" as an actual subgenre of heavy metal.  Really brutal, yet melodic heavy metal with an ORCHESTRA??  I had really enjoyed Metallica's "S&M" album, so I thought this could be really cool.  I downloaded a few Dimmu songs off of Kazaa (lol), and even though I initially started exploring extreme metal as a goof because I thought it was so absurd, it wasn't until I read Lords of Chaos a few months later that I really went off the deep end and never looked back.  
Anyway, though they're ridiculed and mocked by almost everyone nowadays and haven't put out a killer album in awhile, these guys will always have a place in my heart.  As for this album, it's definitely their best, although "Puritanical...", "Death Cult Armageddon", and even the original "Stormblast" are great too!!  What gets me is the sheer evil, ominous atmosphere and beautiful melodies that are completely in your face from the moment you start listening.  It's so completely, unapologetically cheesy and melodramatic, yet infectious and catchy at the same time, that it's easily one of the most fun and accessible albums on this list.  
If you combined the atmospheric keyboards of Emperor, the simplicity of Dark Funeral, and the Gothic imagery and over-the-top theatrics of Cradle of Filth, then you get these bros.  Highly, highly recommended as a good starting point into the genre, even if it isn't the most "kvlt" band in the world.

dat top hat



58.   "Fallen Angel of Doom" - Blasphemy


Before I write about this band, bear with me for a second because I'm still in nostalgia mode after writing about my early days of metal exploration (see above).  Y'see, after checking out Dimmu Borgir I realized that this was the kind of music I had been waiting to hear all my life, and that I was on the verge of something I knew would be a lifelong passion.  However, I didn't know where to start after Dimmu Borgir.  After talking with Judge Dredd (the only guy I knew at the time who was really into this shit) and getting a quick introduction on the different metal subgenres and that sort of thing, I decided to go to the local Hastings and check out some of the metal magazines that I had seen when looking for my shitty rock magazines like Hit Parader, Circus, Revolver, etc. (I also used to be really into Spin haha).  I was staying at my grandma's house that night, and after buying Ill Literature (the last issue too, R.I.P.!!) I stayed up all night, circling with a pen all the bands that seemed cool and that I would want to check out later.  It ended up being a great purchase too in that respect, because it's from that magazine that would influence my first metal CD purchases- Agalloch's "Pale Folklore" and "Of Stone, Wind, and Pillor" EP, Ancient Rites' "Dim Carcosa", and Dimmu Borgir's "Puritanical Euphoric Misanthropia".   Anyway, the reason I'm going into all this back story is because one of the bands I read about in the reviews was Conqueror, a side project of one of Blasphemy's guitarists Ryan Förster (DeathLörd of Abomination & War Apocalypse).  In this review it described Conqueror as something like "unholy, devastating, Christ-raping black metal" or something like that, which really blew my mind as a 15 year-old.  Because I was raised Catholic, at the time the anti-Christian and Satanic lyrical themes of extreme metal had always made me a bit uneasy.  Obviously now that kind of thing doesn't bother me at all (as I'm not religious at all and am almost completely desensitized to anything metal can throw at us nowadays), but as I read about Conqueror it really opened my eyes (I hadn't read Lords of Chaos yet).  
Still haven't yet checked out Conqueror or Blasphemy, but I definitely will in the near future!!



57.   "Below the Lights" - Enslaved


When I first heard this album, I wasn't ready for it.  It was almost 11 years ago and I was still just getting into black metal and discovering bands like Emperor, (early) Ulver, and Immortal, so shit like this was just too weird for me.  I probably would have enjoyed Enslaved's first few albums (of that period, "Eld" is still my favorite), but this was a bit much as far as not quite being aggressive or cheesy for my tastes.  Judge Dredd dug it though!!  I should come back and give this album a listen, as I think Enslaved's later, progressive albums are great!




56.   "In Umbra Malitae Ambulabo, In Aeternum In Triumpho Tenebrarum" - Abruptum  


Ahh Abruptum.  So much mystery surrounding this goofy band and their goofy albums...Did they really record these albums during bouts of self-mutilation and altered consciousness??  What was Tony Särkkä's deal (IT?? C'mon...)??  Were they actually serious (Vondur, anyone??)??
I've never actually given this album a listen, so I probably should before I make fun of them, but we used to play "Evil Genius" and Vondur's "The Galactic Rock'n'Roll Empire" EP on the radio show sometimes for a goof and I remember not being able to take it seriously at all.  
We may never know what they're deal was...I feel like even if Särkkä ever does actually publish that book he's been working on, it will probably just end up raising more questions.  




55.   "Heart of the Ages" - In the Woods...


This is another band I checked out during my early metal exploration Kazaa days.  I remember being interested in them after reading about their connections with Green Carnation (another band I had read about in that last issue of Ill Literature I've been talking about).  At the time, I really dug their weird style and experimental take on black metal, even if I enjoyed Ulver's early stuff a lot more as far as songwriting and quality.   I think it's also the first time I ever heard the high-pitched, "dude screaming" black metal vokills as opposed to the typical rasps or shrieks that usually take place.   If you don't know what I mean, listen to the first track when the metal kicks in...you'll see what I mean.   Interesting stuff, definitely worth revisiting.   





54.   "The Codex Necro" - Anaal Nathrakh  


I haven't listened to this album as much as Anaal Nathrakh's later stuff, but I'll bet it's pretty similar.  Great band, but I gotta be in the mood for it.  Definitely not the kind of thing you want to put on when you're hungover at 10 AM on a sunday.  
Anyway, I got into these guys I used to despise programmed drums.   What was the point, when a real drummer sounded so much better?  I refused to believe that they couldn't find someone to drum on the album, especially if they could get some joker who could somehow pull it off in a live setting (also, this was a few years ago before drum programming really started to sound like the real thing).   However, I realized that the cold, mechanical nature of robot drums really brought something to the band's sound that a human drummer wouldn't be able to replicate.   Coupled with the grim, industrial-esque production and V.I.T.R.I.O.L.'s nihilistic rage, this was something that was new and interesting for its time...the sound of the black metal of tomorrow.






53.   "Nifelheim" - Nifelheim


I've always wanted to check out Nifelheim!!  I've heard their music is killer, and I've always dug their image and enthusiasm, but for whatever reason it's just never worked out.  Sorry guys!!  Very soon!!



52.   "Instinct: Decay" - Nachtmystium


Like most people, I've always thought Nachtmystium sucked up until this album.  In fact, I blew a huge opportunity to see just how good they were at this time when I went to their show when they played with 1349, Goatwhore, Averse Sefira, and Unmerciful in Topeka, Kansas back in 2007 or so (my car got broken that night, fucking sucked haha).  I remember Professor Grindstein and I left the show briefly after watching Unmerficul and Averse Sefira for some reason, probably because I needed to use an ATM and Grindstein wanted to get cigarettes or something.  Yeah, we would miss most of Nachtmystium, but those dudes fucking sucked, right??  When we finally got back, we walked in and I realized that even though we were at the tail end of the set, they sounded A LOT different than what I had assumed...it was clearly a black metal band on stage, but their style seemed a lot more experimental, melodic, and, dare I say, psychedelic.   I hadn't really heard anything like it before, and then when I finally checked out "Instinct: Decay" I realized what a fool I had been!!  
I still haven't explored this particular album as much as Nachtmystium's later albums (especially the brilliant "Black Meddle" albums that would follow this one), but it's obviously really creative, brilliant stuff that was a breath of fresh air in a stagnating scene; a leader in the renaissance of American black metal.  It's a shame Blake Judd turned out to be such a turd in the end, but at least he's in good company with other BM asshole geniuses (Varg Vikernes, Famine, Rob Darken, etc.).


51.   "Lurker of Chalice" - Lurker of Chalice


I actually listened to Lurker of Chalice before I had ever really given Leviathan a chance, and IIRC I liked this album more than anything Leviathan ever put out.   I should give it another listen, but I remember really digging the atmosphere of this album a lot...it was a lot more ominous and subtle than Leviathan's in-your-face tantrums of rage and despair.   I could be wrong, but it reminded me more of Xasthur than Leviathan.   I'm excited to come back to this album, I remember really enjoying it!!




Sunday, January 12, 2014

Wulf's Official Response to Decibel Magazine's Top 100 Black Metal Albums (part 4)

70. "Scorn Defeat" - Sigh


I think it's pretty cool when bands start out super kvlt and then get all weird on everyone.  In a similar vein as Arcturus, Ulver, and Enslaved, Sigh's roots lie in evil black metal grimness.  I can't talk too much about it because I'm not very evil and have only listened to Sigh's later shit (starting with the classic "Hail Horror Hail"), but I'll bet it's still good stuff.  Just look at that promo pic!!



69. "Ravendusk in my Heart" - Diabolical Masquerade



I remember thinking this album was pretty good, but am completely baffled why anyone who is a fan of this band would choose ANY of their albums over "Death's Design", one of my favorite metal albums of all time!! Anyway, that doesn't mean this album sucks or anything like that, it's got its share of catchy riffs and good production (even though I hate drum programming that sounds obviously fake), but if you're going to check out this band I'd definitely recommend "Death's Design" over any of their other albums! The songwriting, production, concept, and overall quality in general is way better!  C'mon, Decibel!!



68. "Incipit Satan" - Gorgoroth



I'm actually in the middle of listening to Gorgoroth's discography right now, but unfortunately I haven't made it to "Incipit Satan" (surprise, surprise :/ ).  I guess is the first album with Gaahl officialy on lead vocals, and pretty much set the standard for what most people think of when someone mentions the band...even though it feels weird to call it the "classic" lineup.  Anyway, I'm not an expert so whatever!  I'm sure this is a cool album, as Gaahl's vocals are unique and this was back when Gorgoroth was still considered pretty controversial and evil.  This was before all the drama between Infernus and Gaahl and King ov Hell, the formation of two Gorgoroths, King ov Hell putting out the kind of shitty Ov Hell album, and Gaahl coming out of the closet, doing musicals, and becoming a goofy internet meme.  I'm excited to see what this one has to offer!!



67. "Casus Luciferi" - Watain



I've got this one on my iPod, but as usual I haven't listened to it yet and am only familiar with Watain's later stuff.  Ugh, maybe doing this response to Decibel's Top 100 BM Albums was a mistake!!  The only reason I started it was because Judge Dredd and Mark of the Beast were making fun of me for not participating very much in its discussion on our Facebook group chat, so I decided to show them what was up and make an entire blog series about it.  Now it's turning out almost as bad as the infamous Watain interview I did several years ago!
Speaking of Watain, this album is a kvlt classic and blah blah I'm sure it's evil as fuck, especially compared to this latest Watain album which has Erik Danielsson doing clean vocals (haha).



66. "Dark Metal" - Bethlehem



Back when I was a DJ at Malicious Intent that we had this album in the stacks, and unfortunately when I listened to it I wasn't that impressed. It's possible that I was intoxicated at the time or something like that and wasn't really paying attention, but I'll bet the real reason I was disappointed was because I was expecting it to sound like their following album, "Dictius te Necare". Hooooooooly SHIT is that a nuts album!! Obviously the most striking thing about it is Rainer Landfermann's completely batshit insane vocals, but there's all sorts of other interesting stuff going on at the same time as well. Anyway, this is supposed to be my take on "Dark Metal", so I guess I'll just have to risk sounding like a broken record and just say that I'll come back to this one soon.



65. "Telepathic With the Deceased" - Xasthur



Yeah!!  I know this one!!  What a creepy album!!  If you've ever watched Vice's/Noisey's black metal documentary "One Man Metal", you know that Malefic is a creepy dude.  Wrest comes off as just a super emo dude with a lot of anger, and Sin Nanna as a kind of weird, tripped out Aussie hippie, but Malefic seems like the most disturbed out of the bunch.  Even though his music is arguably the cheesiest and at times would work well as the soundtrack to a haunted house carnival ride or your local Halloween superstore, it definitely works well by itself as something to listen to in complete darkness as you contemplate the infinity of death or whatever.  Haunting keyboards, hypnotic riffs, this is a DSBM classic!!

Malefic is always a laugh riot at parties!!


64. "Blood Ritual" - Samael


I've always wanted to listen to Samael's black metal stuff just because I've always heard it was good and it's so different from what they put out now.  I don't really know much about their "current sound" other than what I gathered from their 2004 "Telepath" music video which was featured on some Nuclear Blast compilation DVD, but I do know that it was definitely not black metal!  Excited to give this a spin soon!!




63. ""The Book" - Root


I don't what to really say about this album because I've never listened to Root, other than I think they have a super lame name and I've never heard any good black metal from the Czech Republic.  That doesn't mean this isn't a bad album or that there aren't any good bands from there!!  In fact, it's because of this situation that makes me excited to check this band out!!  
Also, fun fact: "root" is Australian slang for "sex"!!




62. "Diadem of 12 Stars" - Wolves in the Throne Room


I've been a fan of Wolves in the Throne room ever since I checked them out after reading an interview with them in Metal Maniacs in like 2006.   What they were talking about at the time was like a breath of fresh Cascadian air for a stagnating black metal scene, ushering in a renaissance of great black metal art that transformed USBM from being the laughingstock of the underground into a powerhouse of subgenre.   By straying away from Satanism (which once upon a time were inexorably linked to the general philosophy of the genre as a whole) and instead injecting mysticism, environmentalism, and psychedelia, WIITR were one of the pioneers of this new school of USBM along with bands such as Nachtmystium, Leviathan, Agalloch, Xasthur, Ludicra, Krallice, Velvet Cacoon, etc.
Anyway, this is a cool album, but I feel like it's on their next album ("Two Hunters") when the band really starts to get good.  This is a great place to start though if you want to get into the band!  One of the greatest USBM bands of all time!!




61. "Black Arts Lead to Everlasting Sins" - Necromantia / Varathron


I haven't heard this split, but can am 99% sure that it's not better than "Diadem of 12 Stars" by Wolves in the Throne Room.  I guess I shouldn't hate, considering that I've never listened to Varathron, but I've always kind of been put off by Necromantia.  I know I need to listen to their classic stuff to really get an idea of their importance in the early Greek BM scene, but "The Sound of Lucifer Storming Heaven" sucked, and I also think it's goofy that for the longest time their sound has consisted of an 8-string bass, a regular bass, keyboards, drums, and no guitars (!).  I guess it would be cool if they sounded good, but from what I listened to I thought it sounded pretty whack.  Ah well!  I'm sure I'll get around to listening to this soon.




Monday, December 23, 2013

Top 10 Metal Albums of 2013 Preamble

The Malicious Intent crew in the middle of a typical debate.  Mark of the Beast is usually the first one to burst into tears and run from room, calling us all "assholes" and slamming the door on his way out. 

One of the most annoying things I find about myself is that I can get fairly obsessive about "completeness". I'm not even entirely sure how to explain it...but I do know that a lot of times it results in me not being able to keep up with shit or constantly failing to meet deadlines. For example, if you haven't noticed, almost every metal magazine and blog has published or posted their own "Best of the Year" lists. For me, I can't release mine until January 1st of the next year because there's something in my brain that has convinced me that it's entirely possible there will be an album released on December 31st of this year that will obliterate the fuck out all the other albums that made everyone else's lists. You might think this is a little ridiculous, but just look at Nokturnal Mortum's "The Voice of Steel" (2009). Yeah yeah, they're a controversial group because their extremist right wing ideologies and political affilations and probably wouldn't have made a lot of critics' lists anyway because of it, but STILL!! It's an absolutely killer album and easily one of the best metal albums of 2009, which happened to be released on December 26. If I would have made my Top 10 list early and missed it I would have had to either edit the list, which is annoying and kind of pointless after everyone's already read it, OR I'd have to make some goofy new post about how it should have been on my list to begin with or whatever. I guess the latter isn't so bad since its absurd to be expected to somehow have listened to EVERY album that came out, but I guess that's why I have a problem to begin with. I'm convinced that if I hold out for just a couple more days I'll be able to somehow come up with a better list after discovering some obscure, yet amazing record, or re-listening to an album I previously thought was shitty and finding it to be mind-blowing. Even this rant is starting to get pretty irritating.

Rob Gordon was so fucking hip, he read Decibel before it even existed!!
Anyway, I just came on here to write a quick post about how my Top 10 is going to be a little late this year! The main reason actually isn't because I'm holding out until the new year (although that's something I'd do anyway out of principal), but because my headphones are kind of fucked up right now and it's going to be a couple weeks until I can get them fixed up and make sure my list is solid. That's another kind of annoying thing...in order to truly judge an album's quality, I have to hear it on headphones! Computer speakers, a tablet, a phone...nope!! Anyway, for everyone out there eagerly anticipating my list (i.e. Judge Dredd), just know that my list will be out soon!!  So should we leave it at that? ;)